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  <lastBuildDate>Fri, 20 Jan 2012 00:18:39 GMT</lastBuildDate>
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  <pubDate>Fri, 20 Jan 2012 00:18:39 GMT</pubDate>
  <title>The way we watch (by ourselves together)</title>
  <link>https://readerjane.dreamwidth.org/1047940.html</link>
  <description>On Sunday, &lt;a href=&quot;https://twitter.com/#!/HartHanson&quot;&gt;Hart Hanson&lt;/a&gt; tweeted a link to an article by Mary McNamara called &lt;a href=&quot;http://www.latimes.com/entertainment/news/tv/la-ca-netflix-essay-20120115,0,4341583.story&quot;&gt;Critics Notebook: The side effects of binge television&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;What a fascinating essay.  McNamara talks about our growing tendency to treat television, a storytelling mode originally designed to be consumed serially, more like a novel format.  She goes into the different aims of serial storytelling vs contained stories like a standalone novel, and how, when we take a television show that aired over several years and watch it in a much shorter span, it highlights certain weaknesses.  &quot;Binge watching can reveal the unnecessary holes that serialization masks: repetition of plot, inconsistency of character, the absurdity of an overworked conceit.&quot;&lt;br /&gt;&lt;br /&gt;I agreed with a lot of the things McNamara said, but not this one:  &quot;As more people turn to Netflix and other delivery services to &quot;catch up&quot; on series they&apos;ve missed, the social element of television, that famous water-cooler factor, is the first casualty.&quot; Certainly it&apos;s fun to experience the way a story unfolds side-by-side with friends, but glugging down our favorite shows in the solitary splendor of our living rooms doesn&apos;t preclude sharing.&lt;br /&gt;&lt;br /&gt;I recently discovered two bloggers who are both watching through one of my favorite shows, Buffy, for the first time.  As far as I can tell it&apos;s coincidence that they&apos;re nearly in synch.  Neither mentions the other in his episode reviews.  Both take different approaches: &lt;a href=&quot;http://markwatches.net/reviews/category/buffy-the-vampire-slayer/&quot;&gt;Mark Oshiro&lt;/a&gt; has a very informal style. He lets us see his reactions as he feels them, close but not quite as immediate as liveblogging.  We hear a lot about Mark O&apos;s life as he compares the characters&apos; situations to his own experiences. &lt;a href=&quot;http://unpaidsophistry.blogspot.com/&quot;&gt;Mark Field&lt;/a&gt;, on the other hand, has closer to a scholarly style. He brings in more historical and psychological references.  You can tell Mark F is older. *g*&lt;br /&gt;&lt;br /&gt;Both are experiencing an episodic story in a much more compressed format than the viewers who watched the show while it first aired.  Both are sharing their experience with a wide fellow-audience.  I enjoy both of them immensely.&lt;br /&gt;&lt;br /&gt;I find that there are a lot of different ways to experience storytelling.  With my very favorite stories, I &lt;em&gt;want&lt;/em&gt; multiple modes.  I want to watch or read them by myself so I can focus.  I want to write about them and read others&apos; reactions.  I want to share them with friends and family and enjoy seeing them discover the stories for the first time.  I want to create my own transformative works based on the originals.  And if the story is currently ongoing, I&apos;ll catch up and then I&apos;ll be with the rest of the current crowd, waiting impatiently for the next installment in a mode much more similar to the television I grew up with.&lt;br /&gt;&lt;br /&gt;It&apos;s all good.  We experience stories by ourselves, together.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=readerjane&amp;ditemid=1047940&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
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