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Having thoroughly enjoyed Martha Wells' Murderbot series, I'm now trying her Raksura series, which starts with The Cloud Roads.

TCR has an isolated, alienated protagonist in common with Murderbot. I wonder if that's a theme for Wells? The abilities of species and of classes within the species seems a little hand-wavey, but I do like the characters very much, and that's more important to me, so all to the good.

I was charmed by the way, even though clutch-mates are given coordinated names, their relationships can still be mistaken. One might think the character named Branch was a sibling of Root, but it turns out Branch's sibling is actually River. It makes sense - in our world, one can't assume that one Smith is related to another.

Had a "Yikes, I think I know why the baddies have been able to track our hero" moment a few chapters ago. Now it's sounding more like I was wrong, but the actual reason might be even more horrifying. Time will tell...
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I knit my own socks. Partly because I love having socks that fit me exactly right. (My feet are short and wide; I spent most of my life wearing socks that either dangled in the heel or toe, or were painfully tight.) Partly because I've learned how to make socks, and I like doing things I'm good at. And partly because I find knitting soothing.

It bugs me just a little that the knit pattern in the heels and toes, which are knit back and forth, doesn't quite match the arch and ankle, which are knit round and round. So I decided to do a study, making six swatches, to try to find a way to make those sections match exactly.

images and descriptions )
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A couple weeks ago I contacted DW help, hoping to find a way that I could preserve a cut-tag in my DW posts, for users who arrive at the post from outside DW. For instance, if I tweeted a link to my post: I wanted the person visiting from Twitter to have the option of seeing or not seeing a spoiler that I had hidden behind a cut tag.

Here is the suggestion I was given, which I shall test by hiding it... behind a cut tag ). How recursive!

ETA:I think it's working.
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This week I finished City of Stairs, the first in Robert Jackson Bennett's The Divine Cities series.

There's a lot going on in this story. The flip/flop of colonialism: a not!Europe that once oppressed not!India and is now being oppressed by its former colony. Gods who act in the world, but who can be killed, whose miracles disappear with them. A woman from a progressive culture, doing her undercover/diplomatic/investigatory job in the midst of a traditionalist culture.

What impressed me most (and I had to look back at the title page to verify the author was really a dude) was that the authority figures were female. Mayors, generals, ambassadors -- there are men with agency here, but most of the movers and shakers are women.

Also, the climactic fight against a kraken set on and under an ice-covered river absolutely rocked.

Looking forward to book 2.
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...early Friday edition.

This week the menfolk and I finished Boneland, by Alan Garner.

It was a strange and unsatisfying story. Published in 2012, and so very different from the first two books from 1960 and 1963. Those two were children's fantasy: Boneyard is a grownup book where the main character is mentally ill. Whether the things he hears and sees are continuations of the magic events he experienced as a child, or hallucinations, is unclear. He does suffer from depression and anxiety, is obsessive, and very isolated.

I've only read small excerpts of Ulysses and The Sound and the Fury, but the disorienting nature of Boneland made me think of those. Not only was the narrative confusing, but sometimes I couldn't tell who was speaking from one line of dialog to another. Son believes that some of the lines I attributed to Colin were actually spoken by an invisible character.

Anyway, it's done now. We're going to finish out the Temeraire series next, and then figure out what to read aloud after that.
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Finished The Burning Page, third in Genevieve Cogman's The Invisible Library series.

I'm still enjoying this series enough to continue, though I see elements that should have been smoothed out by her third published novel. Too much info-dumpy "as you know" dialog, even from Irene's novice librarian to Irene herself!

I was glad to see that my main concern - whether stealing rare books and archiving them in a place where no one but librarians will ever see them is justified as means of stabilizing the order/chaos balance - was at least acknowledged in this book.

This installment explored a bit of a world slanted more towards the Order end of the spectrum, and it turns out worlds like that tend to be totalitarian. Which I hadn't expected, but it makes perfect sense. In those worlds it is also much harder for Irene to wield her meta-Language. I'd like a better understanding of *how* that ur-language is different from the magic the Fae use. I'm afraid Cogman is playing with the net down when it comes to the Language: it seems able to do what the plot requires and no more.

I want to meet Irene's parents. I want to know how librarians die, if they retire to a place where they stop aging. I want to know whether Bradamant is really shady or just prickly. Looking forward to the next book.
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This week I bailed on Vivian Apple at the End of the World, by Katie Coyle.

Fundamentalist / MAGA cult predicts the Rapture, and whaddya know? Thousands of people, including Vivian's parents, disappear one night. Is this the Tribulation?

Maybe this book would have started subverting those tropes. Maybe it all turns around. Maybe it's aliens. Maybe Vivian figures out who she is and how she wants to live in the world, whatever the true state of that world might be.

But y'know what? I read to be happy.

And this is not happy. Bleah.
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Y'know how everybody has a spiciness threshold, where you still enjoy the flavor of the dish, but it's not hurting your mouth so much you have to stop eating? And for some people that's barely spicy at all, where others can chow down blazing-hot dishes?

Paul Cornell is my creepiness threshold.

I'm reading Who Killed Sherlock Holmes? the third in Cornell's Shadow Police series. Thematically, these books aren't that far from Rivers of London: British police officers trying to protect the public from what goes bump in the night, while letting that public stay unaware of the bump-ers. And there are certainly creepy characters and events in RoL, but the feel, the outlook of the police officers, makes SP much scarier to read, for me at least.

I like these police officers. And I'm intrigued by the idea of a city having its own zeitgeist so strongly that people whom the zeitgest remembers most can actually manifest, even if those remembered people are fictional. And I want to find out who SP's Smiling Man is, damnit, and see our heroes (hopefully?) defeat him.

But because I can't read Cornell's books at bedtime, I'm making very slow progress with WKSH. Which means I'm having trouble following the plot, because more time goes by between the small sections I read.

It's frustrating. Like if you can't eat a spicy dish at bedtime 'cause it will keep you from sleeping, but it's a supper food, not a breakfast food, so you may have to give up eating it at all.
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Finished The Masked City, second in Genevieve Cogman's The Invisible Library series.

I'm not getting what I'd hoped for from this series: an examination of whether a superhero's achievements justify the damage they do in the process. These Librarians with their reality-altering Language steal rare books from the multiverse, using those books to stabilize ties between worlds.

They're trying to hold a balance between the Fae, who are agents of chaos, and the dragons, agents of order. Maintaining a temperate zone where humans can live is, okay, of paramount importance. But for a story that spends so much energy trying to get readers' buy-in by waving the splendor of HEROES OF OUR OWN... the practice of shelving rare books in an interdimensional archive where no one but Librarians will ever read them is kind of a big heroic flaw.

The series might examine this flaw at some point. I've only finished book two.

What it seems to be doing now, is exploring those two extremes on either side of the temperate zone. And the Fae-dominated, high-chaos worlds are pretty horrifying. The Fae describe those worlds as "high-virtue", a telling phrase. Dragons become deathly ill just by breathing the air of Fae-dominated universes. The more powerful Fae can bend reality to suit their own "stories", making all the humans and lesser Fae nearby into bit players in a melodrama centered around themselves. It all involves a lot of back-stabbing, manipulation, and ego.

Which is pretty much what the most powerful do in our own reality by leveraging money, influence, and news-spinning.

Kudos to Cogman for giving her heroine a creative way of escaping the Fae world. I won't spoil it.

Oh, and OMG the whumping.
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I finished the third and fourth books in Martha Wells' Murderbot Diaries series. Turns out the main character does have a name: he thinks of himself as Murderbot. I had originally thought he considered that to be a class of AI of which he was a member, but he does claim that as his name.

I'll definitely read this series again. To me, it's the reverse of a Pinocchio story: the main character had been a real person all along, but had thought of himself as an object because it made his slavery easier to deal with. He used to flinch away from thinking about what he wanted, because he knew that whatever that was, he couldn't have it.

The moment which rang the loudest for me was in the fourth novella, where SPOILER )
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This week I finished Artificial Condition, the second in Martha Wells' Murderbot Diaries. I'd planned to start another author's book after that, but found myself abandoning it after a couple chapters and downloading another Wells sequel next (and then another, as I'd accidentally grabbed book 4 instead of 3. 'Doh.)

I like the way this character is so consciously aware of the minute-by-minute state of his body, yet still not very self-aware of his emotional and social self. He sometimes realizes after the fact that he's made a distressed face because of the reactions of people around him.

I also like the way he is ready to treat any AI consciousness he comes across as a person. For someone who thinks of himself as an object, that's rather compassionate.

I feel dumb for realizing so late in the game, but... I think he doesn't have a name? The story is told in first person, so it didn't come up right away, and he uses aliases when dealing with new people. I wonder whether this character will choose a name for himself eventually.

Now reading book 3, Rogue Protocol.

ETA: I should add that I'm making an assumption by calling the main character "he". There isn't any real evidence to ascribe gender. Apparently SecUnits are constructed without sex, presumably to keep them from being distracted, unlike ComfortUnits, which are built to be sex bots. The story does nod to alternate pronouns at one point with a character who is only briefly onstage, which... is a relief, because alternate pronouns are awkward and usually bump me out of a story. Though if Main Character wanted to identify as "Te", I would do my best to think of te that way.
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This week I started The Child Finder, by Rene Denfield. Story of a solitary woman who searches for missing children, some of them missing for years. I can tell the child she's currently hunting in this story will inform her own past in some way.

I like the way she understands that being friendly with the locals can yield vital information.

This story isn't wowing me, though. I wonder if I've grown too picky? To be sure, there are enough stories out there (and a better recs network for finding them, and easier ways to obtain those stories, than ever before) that there are probably enough stories I'd delight in reading to keep me busy for the rest of my life. It just feels snooty, somehow.
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This week the menfolk and I reached the chapter of Alan Garner's The Weirdstone of Brisingamen which I now recognize sparked my claustrophobia. (Well, Weirdstone and The Silver Chair, but TSC's crawling-through-possibly-flooded-underground-cracks scene was considerably shorter and milder.)

I almost never need to be in a tight space IRL, so this has mostly affected my choices of media. Hub loves disaster movies, and in the past few years I've gotten more comfortable with saying, "I'm not going to watch that one. Feel free to go without me."

I'm bouncing off Kelly Barnhill's Iron-Hearted Violet. I've lost patience with the sort of story that's all "ooohhh, something bad is gonna happen, ooooh, it's coming and it's freaky and scary." For a chapter or two, sure. But after several chapters I just want the author to get on with it. Let the scary come! Then let's see how our heroes deal with it, or not. Tension for the sake of tension is tedious.

[ETA] Also, what is it with publishers who accept a story that describes its main character as ugly (and Barnhill is doing something interesting with that, too) and then hire an illustrator who draws that character as sweetly pretty and adorable?? I'm assuming Barnhill was not allowed a veto on this.

And whee! Another chapter of Rahirah's Parliament of Monsters! I love her Spuffy - and Scoobies - better than all the rest.
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This week I read Calling My Name by Liara Tamani. It was recommended by another author I follow, and on kindle sale, so I grabbed it even though I'd never heard anything about the author.

Slice of life, teenage style. High school rivalries, budding sexuality in an oppressively churchy household. The thing that most engaged me about the character Taja was the creative way she survived demands to pay attention to long church sermons: by tallying the keywords so she looked like she was taking notes. And that's five for hallelujah, lord is closing in with three, four, it's amen for the win!

I felt like this story ended abruptly, though. The main character has an epiphanic moment, I didn't understand what it meant to her, and then whoop, the story's over.

Probably not gonna follow this author.
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The Light Between Worlds finished satisfyingly, but never stopped being so, so sad. It brought back those feelings from my childhood of wanting so badly to go to Narnia, or Middle-Earth, or any of those fictional places, and knowing I never would. So I do recommend this work, with a strong caution of not-when-you're-already-feeling-down.

Tried Firefly - Big Damn Hero again. Still bouncing off of it.

I also seem to be bouncing off The Girl From Everywhere, by Heidi Heilig. I can't quite put my finger on why. A girl who helps her captain navigate between timelines by the magical use of hand-drawn maps? That should be awesome. Will keep trying, at least for awhile.

To the menfolk, I'm reading Alan Garner's The Weirdstone of Brisingamen. This was published in 1960, and is holding up reasonably well (though Colin and Susan are displaying a lot of Too Stupid To Live). Also, it strikes me way stronger now at fiftysomething how much the world has changed: these two children, staying with their mom's former nanny, are being allowed to roam the woods freely when the woods are full of copper mines and shafts! Even given the grownups don't know about the evil magical creatures also lurking in those woods, that's... wow.

What I'm really excited to read is the third book of this trilogy, which I just learned about recently. Book two, The Moon of Gomrath, was published in 1963. For all of my childhood, this was a duology. But Garner published a third book, Boneland, in 2012! I find stories where the maturity of the storyteller changes partway through fascinating. Am really looking forward to seeing how a half-century-older Garner rounds out this tale.
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This week I finished a novella called All Systems Red, the first in Martha Wells' Murderbot Diaries series. What do you get when you teach a person to believe he's an object? You get someone with trauma so deep he's barely aware of it, who self-medicates by streaming hours of soap opera. You get someone who takes it for granted his every action is monitored and will be punished if he breaks the rules without being sneaky enough. Someone who is deeply uncomfortable when he encounters a group of clients who treat him like a person. Someone who has no idea what he wants his life to be, because he's never been told he has any say about it.

I was impressed with this story, and will definitely be following-up with the series.

Currently I'm reading The Light Between Worlds, by Laura Weymouth. This story is very Narnia-like: much more so than The Magicians, which was among other things a deconstruction of Narnia. Only, Weymouth has chosen to focus on the saddest part of the portal story - the part where the children have been exiled to the mundane world and don't want to believe they're never going back. It reminds me a bit of Dr Who's School Reunion, where Sarah Jane tells the Doctor what it was like to re-adjust to normal life after he abandoned her. But tLBW also reminds me of Normal Again, the BtVS AU episode where the whole Slayer story had just been a delusion in Buffy's mind. Until halfway through tLBW, I was almost expecting to find the main character *was* delusional. She is certainly mentally ill with depression. Not until her brother and sister talk with her about their magical journey, in a way that is clearly not indulging a fantasy, was I sure that wasn't the way the story was going.

This is beautiful, but so, so sad.
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Finished Laurie King's Island of the Mad and have returned to my interrupted read of Craig Johnson's As the Crow Flies.

I was indeed right about the answer to Island's mystery. That didn't bother me, and I enjoyed watching these two brainy Brits navigating Venice during the rise of Mussolini's power.

But I feel about Laurie King's later novels much the way I feel about Lois Bujold's: she isn't stretching herself anymore. Not sure if she's tired, or feels hemmed-in by the arcs to date, or what. The books are still enjoyable reads, but there isn't any fire.

I also finished reading MacHinery, by Tom McGowan, to the menfolk. Now that I'm older I can see the thin spots in this book, but it still warms my heart. Merlin, demanding of a geeky physicist that if they survive the demon onslaught he wants two week's conversation between the two of them because these scientific ideas are just so fascinating. The retired army sergeant FINALLY making use of the sten gun he liberated upon demobilization - to fight a dragon! It's just lovely.
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I started reading As the Crow Flies, by Craig Johnson last week. This is the 9th of 20 in his Walt Longmire books, which I discovered by way of the television series based on it. I like the TV series a bit more, which is unusual for me, but I guess it's because that's what I encountered first. The books do have an advantage in that they're written from Walt's POV, so we get less of the frustrating "What on earth is going on inside his head?" vibe.

These are stories I return to when none of my most-favorite authors have anything new out. They're solid reads, though I wish Walt would stop referring to his BFF Henry Standing Bear as, "the Navaho Nation." Henry isn't a nation: he's an individual man with his own strengths and quirks. On the TV series, Lou Diamond Phillips brings that out so well.

What interrupted my Longmire read was that I discovered Laurie King had published another Holmes/Russell book: The Island of the Mad. Walt is on hold while I enjoy me some more Holmes/Russell!

I think I have spotted the answer to King's mystery early on, but I don't mind that. Still need to find out whether I was right, and I'm enjoying the journey.

I wish Laurie King would deal more with Holmes' aging. At this point in the series, he is really feeling his limits. It's hard to tell how much of Holmes' irascibility comes from that, and how much is just ground-state Holmes. Those limits are even-ing the power dynamic in this Galatean relationship. It will be interesting to see whether King addresses that by the end of Island.
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Y'know what? I'm just gonna try to post this once a week and call it good.

This week I finished Swordheart, Ursula Vernon's novel set in the same universe as her Clocktaur Wars duology. (It's published under her pseudonym, T. Kingfisher.) Halla's inquisitive distractability is delightful, and the scene where she puts it to use on a man under enchantment had me whooping. Halla reminds me a bit of Ben Aaronovitch's Peter Grant in her response to magic.

I tried a tie-in novel that I was given for Christmas: Firefly - Big Damn Hero by James Lovegrove and Nancy Holder. It was clear that the authors love their source material and have the quirky dialog down pat. But when the story's pace should have picked up, they seemed more interested in showing off the patter than in having the crew respond to situations in character. So I bailed.
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I love holidays. Especially ones where I have lots and lots of time to read. I finished two whole books this week! Haven't had that kind of reading time in years.

Look Alive Twenty-Five by Janet Evanovich
A friend introduced me to this series after the first eight had been published. I got very, very invested, joined the world of fanfic, created my own wiki, and eagerly awaited the next installment. Eventually I had to accept the fact that this series was stuck on repeat and always would be. Those character arcs don't bend toward nowhere.
So I stopped buying the new volumes and switched to reading them from the library whenever I got around to it... and somehow my expectation level optimized to where I can really enjoy them again. I've heard a rumor that the series is being ghost-written nowadays. If that's true, then the ghost writer is way more attentive to continuity than Evanovich ever was. It's almost like they'd read my wiki. :-D

Tam Lin by Pamela Dean
Take Dorothy Sayers' Harriet Vane, dial her back to eighteen, and plunk her down in a Minnesota liberal arts college in the 1970's. Janet is scary smart, not a little snobbish about literary analysis, passionate, rebellious, and single-minded when it comes to intellectual integrity. And she's able to accept inescapable conclusions, no matter how unlikely they may be. I liked this very much.

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