AI Slop and Whatever

Oct. 7th, 2025 04:42 pm
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

This video from YouTube Science Explainer channel Kurzgesagt says a lot of the things I would say about “AI” in this moment, namely: At first it seemed cool, but then it quickly became apparent that the version of it presented to consumers as a creative tool was both deeply flawed and also based on the theft of work from literally millions of creators (including myself!). The bullshit it is generating is now quickly eating the Internet, to the detriment of the actual creative people who make their livelihoods there and also to the detriment of, you know, truth and facts.

In the video, the folks at Kurzgesagt outline how they will and won’t use “AI” — basically not for writing or factchecking, but occasionally for things like automating animation processes and other such backend stuff. I think this is reasonable — and indeed, if one is using creative tools more involved than a pen and a piece of paper, “AI” is damn near unavoidable these days, even allowing for the fact that “AI” is mostly a marketing phrase for a bunch of different processes and tools which in a different era would have been called “machine learning” or “neural networks” or something else now horribly unsexy.

This is also how I’m approaching my writing here on Whatever. Every word you see here is written by an actual live human, usually either me or Athena, but also the individual authors of the Big Idea posts. Good, bad or indifferent, it came out of someone’s skull, and not out of a prompt field. I do this because a) I care about the quality of the posts you see here, and also b) as Athena and I are both actually decent writers with substantial experience, it’s easier just to write things ourselves than to prompt an “AI” to do it and then spend twice as much time editing for facts and tone. That’s right! “AI” doesn’t make our writing job easier! Quite the opposite in fact!

(Also: I don’t use generative AI to create images here — there are a few from years ago, before it became clear to me the generators were trained on copyrighted images, and I stopped when it was made clear this was done without creator consent — so images are almost all photographed/created by me (or Athena) directly, are non-AI-generated stock images I have a license for (or are Creative Commons or in public domain), or are publicity photos/images which are given out for promotional purposes. I do often tweak them with photo editing tools, primarily Photoshop. But none of the images comes out of a prompt.)

I think there’s a long conversation to be had about at what point the use of software means that something is less about the human creation and more about the machine generation, where someone scratching words onto paper with a fountain pen is on one end of that line, and someone dropping a short prompt into an LLM is on the other, and I strongly suspect that point is a technological moving target, and is probably not on a single axis. That said, for Whatever, I’m pretty satisfied that what we do here is significantly human-forward. The Internet may yet be inundated with “AI” slop, but Whatever is and will remain a small island of human activity.

— JS

The Big Idea: Joe R. Lansdale

Oct. 7th, 2025 01:41 pm
[syndicated profile] scalziwhatever_feed

Posted by Athena Scalzi

Horror isn’t just scary for horror’s sake. Good horror entails so much more than jump scares and spooky creatures. Author Joe R. Lansdale expands on how horror can contain multitudes of other genres, and comment on society’s issues, in the Big Idea for his newest collection of short stories, The Essential Horror.

JOE R. LANSDALE:

Horror is a funny word and hard to define. As a book genre, even more difficult.

 It’s like humor. What the hell is it?

This is where I give you the big answer. Hitch up your drawers, here it comes.

I have no idea. Not really, and neither does anyone else. I think there are certain things you can point to and say this is horrible, like our politics, and be correct, but in fiction and film, comics, or even moments when someone is telling you a gripping story, the only thing that can identify a horror story truly is the hair on the back of your neck. 

But in the broader sense, well done horror can also carry political and social issues, as well as just entertaining moments, and some not so classically entertaining, but still intellectually or emotionally stimulating. That’s what I’ve tried to do with many of my stories. Some stories I’ve written in my career are mere whimsy, and some have razor blades hidden in their whimsy, and some are downright disturbing because life can be disturbing, and sometimes it’s necessary to open up a wound and let the pus out.  These types of stories are a bit different than the hair on the back of the neck sort; the creeping goosebumps that run along your arms and up your spine. These are the ones that slap you in your face, and run up your spine like wet-legged scorpions.

Okay. Maybe I will try and tell you what horror is, or as I best understand it. 

It’s an emotion.  

It can be purely entertaining in the classic sense of yodeling and tap dancing, or it can be informative or thought provoking. It can deal with racism and sexism and enough isms to fill a book. It can be written for curiosity alone.

Curiosity is good for the soul, and not just the sort of curiosity where you wonder what’s for lunch, though now that I think about it, there could easily be a horror story hidden in that.

Horror is in everything if you look hard enough, and sometimes it’s so glaring you can see it if you only get a glance at it. One reason it’s popular in bad times–and that would be now, and if you don’t believe me look at how the horror selections have grown, maybe not quite 1980s size, but close—is because it allows us to look at what’s going on more clearly. At first, that seems unlikely, but a story can tell you something that is frequently hard to see as it’s happening. It’s the old can’t see the forest for the trees concept. An example would be the fear of living in dystopia, only to discover one day that you’re already living in it.

The bottom line about horror stories really isn’t about horror alone. It’s understanding that it’s a tool for a variety of stories. A major ingredient or a marginal component. Writer’s choice.

I try and write the way I read. A variety. Not all of it is horror by any means, but almost any kind of story can be turned slightly on its edge so you can see the potential horror ingredients that lurk within, real things or purely imagined things. From serial murder to Lovecraftian creatures that lurk behind the veil. The word horror, the genre of horror, can contain it all.


The Essential Horror: Amazon|Barnes & Noble|Bookshop|Powell’s

Author socials: Website|Bluesky|Instagram|Facebook

Read an excerpt.

opera cake

Oct. 6th, 2025 08:35 pm
[syndicated profile] smittenkitchen_feed

Posted by deb

Welcome to the cake that has terrified me the most. You see, I have two favorite cakes. The first is my Strawberry Summer Stack Cake, the layered strawberry, cream, and butter cake version of the Strawberry Summer Cake in Smitten Kitchen Keepers. The second is the Opera Cake (Gâteau Opéra), a stacked and striped dessert with thin almond cake layers soaked in espresso syrup, chocolate ganache, and a rich espresso buttercream. The difference between the first cake and the second is that the second recipe was never going to happen.

In the nearly two decades of Smitten Kitchen’s existence, I’ve again and again begun researching what a homemade opera cake would entail and every time, slammed the proverbial book shut because it was just too much. A joconde! French buttercream! Soaking syrup! Chocolate layer! Many separated eggs! And what about all of that espresso? There are children present! And elderly people (me) who probably shouldn’t drink coffee after 4pm! If I could barely talk myself into it, how would I convince you? Maybe some things are best left to the professionals, I concluded.

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[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

It’s a thought I first had over on Metafilter, in a thread about Swift and The Life of a Showgirl, which came out last Friday and has already racked up 3.5+ million in sales. It will almost certainly end its first week with even more, is almost certainly debuting at #1 on the Billboard 200 chart, along with very likely clearing out most if not all of the Billboard Top Ten with the album’s tracks next week (so long, Huntr/x! Glad you got your eight weeks at #1 in!), not to mention winning the movie theater box office crown last weekend with a Showgirl listening party. Not a great week for Swift haters, not that this would stop them.

The thread about Swift and the new album goes all over the place, and I added my comment on both, and how in this moment it’s likely impossible to get a bead on the new work, and where I think Swift goes from here. I’ve reposted it all below (with very minor editing for clarity), for posterity and because I know a lot of you don’t go over to Metafilter, but still might find the comment interesting anyway.

The new album is fine, and basically pairs with Reputation. I suspect people who don’t like this album don’t like that one either, and that’s all right. I didn’t need to know how amazing Travis Kelce’s dick is, but I suspect he’s perfectly happy with the quality of his member being immortalized in song, even if it’s likely to get him endless shit in the locker room. The Charli XCX diss track thing is two messy humans being messy at each other, also not my favorite, but inasmuch as Charli XCX has posted an image of herself in the studio in the wake of the track, I think she’s got her own.

In a larger sense, speaking as someone with a mere fraction of Swift’s sales and even merer fraction of her social profile, who nevertheless has a unusually dogged coterie of haters (as well as a certain tranche of easily-pleased fans!): at a certain point of notability (or notoriety) it doesn’t matter what you put out, the range of opinions about it will be so wide and scattershot that anyone looking will be able to pick and choose among them to paint a picture of wild creative success or looming artistic doom. Swift’s work, love it or hate it or somewhere in-between about it, is at this point never less absolutely competent in its construction, which makes the immediate critical evaluation of it even more difficult. The inherent quality of the work will get lost in the noise of the release and it will take time (a year, possibly two, maybe more) for everything to calm down enough to get a more dispassionate bead on the work as a coherent piece of art. By which time it will have sold eight million copies, or whatever, and she’ll have moved on to whatever else she’s doing.

As an aside to the quality of the work, I do think we are at a point where Swift will be moving out of her “imperial” phase as a pop music entity, if only because time comes for every cultural phenomenon; the cultural eye is a gimlet one. The pop stars who most closely align with Swift’s cultural ubiquity – Michael Jackson, Madonna and Prince (and to a lesser extent U2) – all experienced a (relative) decline as a mover of the zeitgeist. This cultural decline doesn’t mean a decline in financial success; look at U2/Rolling Stones/Journey/etc being bigger concert draws today than when their music had immediate musical relevance. But at a certain point you stop picking up fans from the younger end of the age curve, because a fifteen-year-old doesn’t vibe with a 35-year-old. Swift is already shading into mom pop (a complementary genre to dad rock), and that’s going to become more pronounced as time goes on.

I suspect that Swift already knows this – she is extremely smart with her business and her career – and I will be interested in seeing how she will position herself moving forward. I don’t know if she’s going to slow down or “disappear,” since, based only on what I know of her from her public image, she doesn’t strike me as a person interested in slowing down for anything. But it’s possible we might be at the end of Swift’s pop star era and at the beginning of her multi-hyphenate era. All those Swifties are grown up (or are about to be) and have or will soon have a bunch of disposable income. We might be about to see Taylor Swift become whatever the white millennial version of Oprah or Martha Stewart would be. And I think that would be hugely intriguing.

— JS

Crisis! At the Cat Tree

Oct. 6th, 2025 08:02 pm
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

Yes, it is well established that Smudge gets to claim the top spot on the cat tree, and that Spice takes the middle seat, with a third, lower seat available but usually unclaimed, or was, until Saja came and claimed it. But! Today! An usurpation! Saja has taken the middle seat, in flagrant violation of the scratching order! This aggression will not stand, man!

Yes, there is tension today in the office.

Also, Spice is currently sitting in the Eames chair. But I assure you, she is not happy about it.

Stay tuned for more internecine Scamperbeast drama!

— JS

How to Cook Frozen Dumplings

Oct. 6th, 2025 04:02 pm
[syndicated profile] woksoflife_feed

Posted by Kaitlin

pan-fried dumplings in cast iron skilletFrozen dumplings are the perfect anytime emergency meal. Dumplings for breakfast? Yes. For a midnight snack? Definitely. They’re always there when you need them! But for all their popularity, we still get so many questions on how to cook frozen dumplings. In this post, we’ll show you how to boil, steam, and pan-fry frozen dumplings, […]

Tofu Fried Rice

Oct. 5th, 2025 06:34 pm
[syndicated profile] woksoflife_feed

Posted by Kaitlin

Tofu Fried Rice recipeTofu Fried Rice is a recipe that has taken us years to share for some reason. But it’s finally here, and this recipe is everything Tofu Fried Rice should be! Loaded with tofu that’s actually flavorful, veggies, and perfectly seasoned rice.  Why has it taken us so long to share a Tofu Fried Rice recipe? […]
lightreads: a partial image of a etymology tree for the Indo-European word 'leuk done in white neon on black'; in the lower left is (Default)
[personal profile] lightreads
3/5. Another novella in this fantasy series about the scholar who has a demon in his head. This one about a misadventure with teens in tow, and how families grow and change, and young people starting to find their way.

Pleasant, but I continue to think that there is a tidiness to these books that keeps me from really liking them. It’s not just the knowledge that everything will work out in the end, which it generally does, but occasionally not. I think it’s that she’s set up this theological system to be a bit . . . I don’t know. Categorical? Hogwarts house-y? Overly interventionist? IDK, these books feel terminally undangerous in the midst of dangerous things happening. Angsty teens figure out their life plans in 30,000 words or less. Everyone has a salutary lesson. Go home. I’m not expressing it well. Whatever it is, I think it emanates from the theology, and it renders these books just a little bit too neat, too easy.
conuly: (Default)
[personal profile] conuly
Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.


*********


Link

There's a Dunkin Donuts by my house

Oct. 2nd, 2025 09:32 am
conuly: (Default)
[personal profile] conuly
And every once in a while I end up there during the morning rush, which I try to avoid, and find somebody else bitching about how they "always" mess up their order and "always" take forever.

This is true, by the way - or, maybe not literally always true, but frequently true - but all the same, every time I hear the incessant whining I want to turn around and say "You knew what it was like when you placed your order!"

It's not like they're the only place to get coffee and a breakfast sandwich that's not your own home. There are three corner stores, every once of which will be happy, or at least willing, to make your standing order every day or week or however often you like. There's McDonald's right there, there's Wendy's right there, there's a Dunkin Donuts on the boat and another one just down Bay a bit, if you drive. Or, as I said, you can go home and make your own coffee for faster and cheaper, but you didn't do that, so you can't really complain that you're getting exactly what you obviously expected!

(It is my lack of whining, I think, that always gets me out of there a smidge faster. Should they be more efficient? Should they make fewer mistakes? Should I be able to order a muffin without fear that it'll be a bit raw in the middle? Yes to all three, and I've stopped ordering muffins! But they're close and I don't have to cook it myself, and I imagine that's why everybody else is there, so whatever.)

*********************


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Lady Hotspur by Tessa Gratton

Oct. 4th, 2025 02:18 pm
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[personal profile] lightreads
Lady Hotspur

3/5. What if Henry IV (loosely) but make it epic fantasy and make most of the major players women, and make most of those women queer.

Yes, there is a prequel book that I did not read, because I do what I want. This would probably be richer if you read in publication order, but it’s one of those situations where the prior book is set several generations before, so, you know.

Anyway, yes, the premise sounds great, and large portions of this book are wonderful. This manages to feel Shakespearean, and I don’t mean that it feels tragic (though it has that mode). It’s bawdy and political and deeply concerned with how history turns upon character, and how people stand or fall on their flaws. It also has a tremendous sense of the numinous and, getting somewhat less Shakespearean here but also not in another realm or anything, a wonderful touch with multiple shades of queerness and how that functions or doesn’t in monarchist systems.

However, while I’ve read books that were too long, I can’t remember the last time I read one that was at least a hundred thousand words too long. Phew. That is truly impressive bloat. I would be rating this higher if it were like 40% shorter (which would still make it a damn long book, to be clear). I lost patience with this multiple times. I always came back and found something to enjoy again, but man.

Read if you really like queer lady knights, women running the world, that Shakespeare feeling, and a book that feels as if it is tremendously slow even as many things are happening.

Content notes: Murder, war, references to child abuse, miscarriage, cancer.

Sunset, 10/3/25

Oct. 3rd, 2025 11:10 pm
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

It’s been a while since I’ve put one of these up here, so, here you go. It’s a doozy. I hope you have a fabulous weekend.

— JS

Book Tour Starting Next Week

Oct. 3rd, 2025 05:00 pm
marthawells: (Witch King)
[personal profile] marthawells
I don't think I posted about this yet: https://us.macmillan.com/tours/martha-wells-queen-demon/

There's more info at that link, but here's a brief list of the tour stops and dates:


- Mon. Oct. 6 at 7:30pm: Brookline Booksmith with Holly Black, offsite at Arts at the Armory (Brookline, MA)

- Tues. Oct. 7 at 7pm: Politics & Prose (Union Market location) moderated by Leigha McReynolds (Washington DC)

- Wed. Oct. 8 at 7pm: The Strand, with Meg Elison (NYC, NY)

- Fri. Oct. 10 at 6pm: Let’s Play Books, with Chuck Wendig, offsite at Muhlenberg College (Allentown, PA)

- Tues. Oct. 14 at 7pm, Third Place Books (Seattle, WA)

- Wed. Oct. 15 at 7pm, Iron Dog Books, with Nalo Hopkinson offsite at Waterfront Theatre on Granville Island (Vancouver, BC, Canada)

- Thurs. Oct. 16 at 7pm, Powell's (Cedar Hill location) with Jenn Reese (Beaverton, OR)

- Mon. Oct. 20 at 7pm: Bookpeople, with Ehigbor Okosun (Austin, TX)

- Tue. Oct. 21 at 6:30pm: Murder by the Book (Houston, TX)

- Thurs. Oct. 23 at 6pm: Nowhere Bookshop (San Antonio, TX)

- Saturday Nov. 8-9 Texas Book Festival, Austin TX

- Sat. Nov. 15 at 2pm: Hyperbole Bookstore, offsite at Ringer Library (College Station, TX)

Hemlock & Silver by T. Kingfisher

Oct. 3rd, 2025 11:23 am
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[personal profile] lightreads
Hemlock & Silver

4/5. One of her standalone twisted fairy tales, this one about the poisoning expert called in to figure out if the king’s daughter is being poisoned, and the strange and horrifying magical discoveries she makes.

This is good, but it finally clarified for me what is wrong with her romances. The good stuff first: a wonderfully practical, weird, obsessive, traditionally unbeautiful heroine. A series of animal companions, talking and otherwise. A genuinely creepy place to explore. A sad fairy tale under it all.

The romance: This one is not as bad as many of her others, I will say. But I finally put my finger on what’s wrong with them. It’s that she spent the first half of this book developing this woman into a vivid, quirky, peculiar, wonderful character. And the second the romance is on page, every jot of that character work vanishes and she reverts to boring and clumsy romance beats. Like the heroine coming to the conclusion, despite vast mountains of evidence, that the guy is repulsed by her. A thing that could happen? Sure. A thing that could happen with this character? I suppose, but you’d have to lay a lot of groundwork. Fundamentally, I think her heroines, which are the best part of these books, stop being themselves when it comes to romance, and I hate that.

Content notes: Past child death, past murder of spouse, creepiness with mirrors, body horror.

Queen Demon Playlist

Oct. 2nd, 2025 08:42 pm
marthawells: (Witch King)
[personal profile] marthawells
I did a playlist for Witch King (https://marthawells.dreamwidth.org/627157.html) when it first came out in 2023, and now here's one for Queen Demon:



Seven Devils - Florence + Machine

Burning - Yeah Yeah Yeahs

Bando - ANNA with MadMan and Gemitaiz

Bringing Murder to the Land - Anton Newcombe and Dot Allison

Bulletproof vs. Release Me - The Outfit

I Owe You Nothing - Seinabo Sey

W.I.T.C.H. - Devon Cole

Egun (theme from Manhunt) - Danielle Ponder

Warm - SG Lewis

Disease - Lady Gaga

Which Witch (Demo) - Florence + Machine

you should see me in a crown - Billie Eilish

Bakunawa - Rudy Ibarra, with June Millington, Han Han, and Ouida.
conuly: (Default)
[personal profile] conuly
Honestly, my worst thoughts about what was going to happen in that meeting of the generals were both so much more terrible and so much less terrible than what actually went on.

***************************


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